Alexander McQueen: The Last Collection of the Master
| The world of fashion has not gone through the fact that there will be no more masterpieces of the best in the area. Alexander McQueen was an example, an idol for a lot of new made designers. The master has gone but his popularity seems to be increasing from day to day. Nobody has left indifferent to his creations. At the Paris Fashion Week the last collection of the master was finally presented. It is dedicated to a rich heritage of the world culture. Check out the best moments in the pictures below. |
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| The imagination of Alexander McQueen had no limits. Remember, for example, his Spring – Summer 2010 Collection, and compare it with what you can see now. The difference is evident. There is no techno style or futuristic ideas; the master found the inspiration in the past, in the depth of the centuries. His last collection is dedicated to Byzantine art, and specifically, on the works of Sandro Botticelli, Jean Fouquet, Stefan Lochner and other eminent artists. |
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| Let’s have a good look at the shoes presented in the collection. Boots and booties on a high platform are trimmed with numerous gold beads. It seems that a gold stream spontaneously hardened on the platform and turned into the work of art created by nature. Heels are also gilded, besides, there is a spiral carving on the surface of the heels, which makes them look like ancient columns. Shoe décor have common gilded details with luxurious outfits of the models. |
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| In spite of ancient theme, the shoes look very modern. Have a look at the top of the thigh-highs, it is girdled with leather straps featuring gold buckles. That looks very unique and unusual, is not it? It is a pity that the collection was only 80 per cent over when the designer died. I bet that it is worth being exposed in a museum. |
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[...] have already described the last collection created by the designer in Alexander McQueen: The Last Collection of the Master. So you may wonder what to do it again for. In fact, then it was a short review of the collection [...]